Any Drummers out there??

I'm 44 and I've always wanted to play the drums. Thankfully I've moved to an old property with massively thick walls and semi-detached with my bedroom not adjoining a neighbour. I also have an outside office. So, I'm happy that I won't be disturbing anyone (famous last words).
Just looking for any tips on getting started. I kinda need "my first drum kit" but would rather buy quality, perhaps second hand. I just need something to learn the basics. Base drum(obvs), snare? hi hat? What else?? My tastes are wide and varied but I'd like to beat the censored out of them at times too.
Where to start? There are plenty of online courses I see.
Tips or advice appreciated.
Just looking for any tips on getting started. I kinda need "my first drum kit" but would rather buy quality, perhaps second hand. I just need something to learn the basics. Base drum(obvs), snare? hi hat? What else?? My tastes are wide and varied but I'd like to beat the censored out of them at times too.
Where to start? There are plenty of online courses I see.
Tips or advice appreciated.
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Get some for your neighbours?
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For drums (known as a shell pack) you'll want:
- Bass drum, typically 22" but 20" is also common, I have a 20" and an 18" for my smaller jazz kit
- Snare drum , that'll be 14" and 5"-6" depth
- Toms, typically two side or rack toms (10"/12") and floor tom (16")
- Cymbals, they can be expensive, but you'll want a hi hat (14"), a ride cymbal (20" or so) and a crash (16").
- Hardware for cymbals and toms as needed, plus a stool/throne and bass drum pedal.
- Sticks.
- Heads are another thing, wee what comes with your drums, you can always upgrade.
For a quieter life there are a few options for heads, cymbals and pads etc.
I'd suggest having some lessons with a real teacher to start with, there are a lot of online resources too that will help but a real teacher will be invaluable to start you off properly. Hand technique (holding the sticks) is really important.
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Most can't. I have a classical music upbringing so am fluid in both the English and Music languages
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Perfect, really appreciate all the info - I have something to go on now and will have a browse on the net
I've using Remo silent stroke heads on my big kit for practicing (a Pearl Prestige Session Select from the late 90s) together with Zildjian low volume L80 cymbals, I can play normally and still hold a conversation. SS heads are fairly cheap, the L80 cymbals are not.
On my other kit, a Natal Arcadia birch Jazz kit with 18" BD, I'm using Code coated DNA heads which are much cheaper than Remo or Evans.
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(speaking as a bass player, and, as everybody knows, a bass player is a cross between a drummer and a musician)
For sound damping, tape or towels on the skins and foam on the edges of the cymbals cut down the sound quite significantly, using rattan stick drumsticks also helps
The two other things I’d say is if you can hang up thick sheets (like hessian) in the room that will reduce the sound travelling a great deal, also remember that you don’t have to hit the kit as if it’s about to jump up and attack you, concentrate on getting your technique correct first
Hope that helps
https://www.youtube.com/watch?v=6suv3mraIhw
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I think this is a healthier way of relieving work stress than booze!
The problem with that kind of stuff is whilst it is technically impressive, it is not in the slightest bit interesting as music. He is, in short, after all, drumming along to complete censored .
That said, if you like that kind of thing here's another treat
Depends what you want to do as to whether you learn to read or not. If you want to play in a big band, you'll not be popular if you can't (I know, I've been involved in several, and lead one or two), but if you want to do rock or small band jazz, reading isn't essential. But most important is to get good grooves sorted out... the hardest part is to co-ordinate all four limbs doing the different parts of the groove, and to make the groove feel, well, groovy.
If you do want to read too, don't leave that to 'somewhere down the line' - do a little bit, every time, on the groove you're learning: match what your body/ears are experiencing with what that looks like notated. If you can afford a teacher, that might be a very worthwhile investment, if you find the right one.