Interesting... I've always liked Sony's cameras. They take very good pictures. But it's all about the resolution and frame rate. I'm interested in what it'll be able to output. For now, the HD footage from my Kodak is well good enough.
No, it isn't - but people believe it is, so they keep pumping out the "high" resolution crappy cameras.
What really matters is the sensitivity of the sensor, and enough storage so that you're actually capturing some detail.
Even the expensive GoPros suck in wooded areas. Out in the open, where there's plenty of light, great, but I've never seen a good quality video once the rider heads under the cover of trees, where it all becomes a blurry pixelated mess.
Ok yeah, I agree that action cams have all sorts of issues such as iso and reaction times (isn't storage just a matter of the memory card you put in?). But there's nothing worse than trying to watch the videos people were bandying about from those cheap little Muvi copies because of how pixelated they were, even in broad daylight. And if you're into action cams, then developing your editing skills and making use of slowmo is a good thing to develop. From my own experiences, 720p60 is the best place to be, and then I agree with you that camera makers should concentrate on iso instead of 1080p to get better footage.
By storage, I mean the codec used to save footage.
There's no point having all the bells and whistles if you're going to massively compress things into a tiny format, throwing away any semblance of quality.
I'm fairly sure that a GoPro camera could potentially offer pretty good quality video even in low light, if only it used less, or ideally, no, compression.
Ah, codecs still confuse me. I still haven't gotten the grasp of the relationship between codec and container. My understanding ends at AVCHD but I've heard that you can get better quality footage by choosing the standards carefully. I think this summer when I coe back from the Alps I want to learn more about it to continue developing me editing skills. I suppose as memory card technology increases to handle higher data transfer rates, you could get away with larger, less compressed files - isn't that a major bottleneck for HD footage at the moment?
I suppose as memory card technology increases to handle higher data transfer rates, you could get away with larger, less compressed files - isn't that a major bottleneck for HD footage at the moment?
Yep, like I said earlier.
Uncompressed broadcast quality standard-def video looks better than the "HD" you get on SkyHD - but takes up a lot more space.
I suppose as memory card technology increases to handle higher data transfer rates, you could get away with larger, less compressed files - isn't that a major bottleneck for HD footage at the moment?
Yep, like I said earlier.
Where did you say this? Transfer speeds being a bottle neck to file size and thus quality was a new point.
Ah my mistake - when I read "memory card technology increases", I read it as "memory card capacity increases" - which tallies with what I'd mentioned earlier.
well, looks like class 10 will be superceeded soon enough as Toshiba apparently have a card that will write at 90mbs :shock: Maybe we'll see cameras take advantage of this by giving you a choice of compression levels; quality vs quantity.
Ok your both having your own little conversation about Codecs and sensors.......what about reccomending some good cameras that you think must be better than the aforementioned Go Pro etc .
Theres no point talking pixels cmos, storage , codecs unless your going to come up with the evidence to back it up ie the camera that does what your on about.
Theres no point talking pixels cmos, storage , codecs unless your going to come up with the evidence to back it up ie the camera that does what your on about.
there isn't a camera that does what I want - they're all fu**ing terrible, so I won't waste my money on any of them.
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Ellsworth Moment
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What really matters is the sensitivity of the sensor, and enough storage so that you're actually capturing some detail.
Even the expensive GoPros suck in wooded areas. Out in the open, where there's plenty of light, great, but I've never seen a good quality video once the rider heads under the cover of trees, where it all becomes a blurry pixelated mess.
Ellsworth Moment
Intense Socom
There's no point having all the bells and whistles if you're going to massively compress things into a tiny format, throwing away any semblance of quality.
I'm fairly sure that a GoPro camera could potentially offer pretty good quality video even in low light, if only it used less, or ideally, no, compression.
Ellsworth Moment
Intense Socom
Uncompressed broadcast quality standard-def video looks better than the "HD" you get on SkyHD - but takes up a lot more space.
Where did you say this? Transfer speeds being a bottle neck to file size and thus quality was a new point.
Ellsworth Moment
Intense Socom
Ellsworth Moment
Intense Socom
Theres no point talking pixels cmos, storage , codecs unless your going to come up with the evidence to back it up ie the camera that does what your on about.
Ellsworth Moment
Intense Socom